Basil Bunting (1900-85) was one of the most important British poets of the 20th century. Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of Briggflatts, which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's Four Quartets'. As well as Briggflatts, this new Complete Poems includes Bunting's other great Sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realised 'Overdrafts' (as he called his free translations of Horace, Rudaki and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). Like the earlier Oxford edition, it presents in its entirety Bunting's own Collected Poems, with addition of the posthumous Uncollected Poems; but this centenary edition from Bloodaxe also has a new introduction by the late Richard Caddel. Bunting wrote that 'Poetry, like music, is to be heard.' His own readings of his own work are essential listening for a full appreciation of his highly musical poetry. The new separate Bloodaxe edition of Briggflatts (2009) includes a CD with an audio recording Bunting made of Briggflatts in 1967 and a DVD of Peter Bell's 1982 film portrait of Bunting. Bloodaxe has sublicensed a critical edition of Bunting's complete poetry, The Poems, edited by Don Share (2016), to Faber & Faber. This has three poems not included in the Bloodaxe edition, together with a number of variants, anomalies, fragments and "false starts": apart from those additions, Bloodaxe's Complete Poems is complete (but has no critical apparatus).

This collection addresses the central question of how the current international framework for the regulation of fisheries may be strengthened in order to meet the challenges posed by changing fisheries and ocean conditions, in particular climate change. International fisheries law has developed significantly since the 1990s, through the adoption and establishment of international instruments and bodies at the global and regional levels. Global fish stocks nevertheless remain in a troubling state, and fisheries management authorities face a wide array of internal and external challenges, including operational constraints, providing effective management advice in the face of scientific uncertainty and non-compliance by States with their international obligations. This book examines these challenges and identifies options and pathways to strengthen international fisheries law. While it has a primarily legal focus, it also features significant contributions from specialists drawn from other disciplines, notably fisheries science, economics, policy and international relations, in order to provide a fuller context to the legal, policy and management issues raised. Rigorous and comprehensive in scope, this will be essential reading for lawyers and non-lawyers interested in international fisheries regulation in the context of profoundly changing ocean conditions.

This collection addresses the central question of how the current international framework for the regulation of fisheries may be strengthened in order to meet the challenges posed by changing fisheries and ocean conditions, in particular climate change. International fisheries law has developed significantly since the 1990s, through the adoption and establishment of international instruments and bodies at the global and regional levels. Global fish stocks nevertheless remain in a troubling state, and fisheries management authorities face a wide array of internal and external challenges, including operational constraints, providing effective management advice in the face of scientific uncertainty and non-compliance by States with their international obligations. This book examines these challenges and identifies options and pathways to strengthen international fisheries law. While it has a primarily legal focus, it also features significant contributions from specialists drawn from other disciplines, notably fisheries science, economics, policy and international relations, in order to provide a fuller context to the legal, policy and management issues raised. Rigorous and comprehensive in scope, this will be essential reading for lawyers and non-lawyers interested in international fisheries regulation in the context of profoundly changing ocean conditions.

Blackstone's Statutes have a 25-year tradition of trust and quality unrivalled by other statute books, and a rock-solid reputation for accuracy, reliability, and authority. Content is extensively reviewed to ensure a close map to courses. Blackstone's Statutes lead the market: consistently recommended by lecturers and relied on by students for exam and course use. Blackstone's Statutes are the original and best; setting the standard by which other statute books are measured. Each title is: * Trusted: Ideal for exam use * Practical: Find what you need instantly * Reliable: Current, comprehensive coverage Visit www.oxfordtextbooks.co.uk/orc/statutes/ for accompanying online resources created with the assistance of the Statute Law Society including videos on how to use your statutes book and how legislation is made. The Online Resource Centre for this book also provides regular updates in this fast-moving area of law, web links, additional legislation, useful supplementary materials, and discussion of key media law cases and issues in the field.

When most Americans think of contemporary British poetry, they think of such mainstream poets as Ted Hughes, Philip Larkin, and Geoffrey Hill. Yet there is a vibrant, diverse alternative poetry movement in the UK, inspired in large measure by the work of such significant mentors as Basil Bunting and J. H. Prynne. There is growing interest in this work in the United States - as alternative American poetries express increasingly transnational concerns - and yet almost none of it is available here.
OTHER is a highly focused anthology bringing together several important strands of English-language poetry that are not otherwise so readily accessible. It includes work by 55 poets, among them Cris Cheek, Brian Coffey, Fred d'Aguiar, Allen Fisher, Ulli Freer, Randolph Healy, Linton Kwesi Johnson, Wendy Mulford, Tom Raworth, Denise Riley, Catherine Walsh; a critical introduction addressing such topics as the interaction of British and American poetic traditions; and brief biographical and bibliographical notes on each poet.